Art and Artists

   If you cannot evaluate art without evaluating the artist you don't understand art.  I specifically avoid, indeed shun, biographical data about artists.  If their art is expiation for their monstrous private lives perhaps it is expiation for the monstrous private lives of all of us.  Their art is their legacy.  Their private lives should be buried with them and never discussed while they are alive. 

  An artist and herm art are two entirely separate and distinct entities in all cultures.  The art may live and be meaningful long after the artist has returned to dust.  While it is fun to argue about which composers of famous religious music were atheists, the fact remains that the music they composed is sung and revered by believers in any culture affected by the religion depicted in the composition.  

A "critic" is a man who creates nothing and thereby feels qualified to judge the work of creative men. There is a logic in this; he is unbiased - he hates all creative people equally.  Lazarus Long, Time Enough For Love,  Robert A Heinlein, 1973.

 The easiest thing a lazy critic can focus on is some private life peccadillo (or worse) to avoid entirely herm work as a critic of evaluating the art to help the rest of us sort out the good from the bad.   

 The current trend even extends to Jefferson's "all men are created equal" as written by a slave holder who even had children by a favored slave.  He had no choice in his culture. That he could transcend his culture to create a better world where all are equal (even though we are not there yet after 200+ years) speaks volumes about his character not to mention the character of his critics who do not even aspire to the all humans are equal standard. 

 Never trust the teller, trust the tale. The proper function of a critic is to save the tale from the artist who created it.   D.H. Lawrence

You should always read any published author especially a DWM without any biographical data clouding your mind. Words mean what they say, regardless of the personal beliefs and/or cultural influences on the author. The best authors (and artists) transcend their personal foibles to change the world.